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Ross Bonaime-

Ross Bonaime

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About Ross Bonaime

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, Flickchart, The Free Lance-Star, and more. Ross graduated from George Mason University with a focus in communications and journalism and a minor in film and video studies.

Ross is a Tomatometer-approved critic, a member of the Washington DC Area Film Critics Association, and a member of the Critics Choice Association. He has loved movies ever since he saw Cinderella in the theater as a kid, he can quote 10 Things I Hate About You and Wet Hot American Summer from memory, and is fascinated by all things Georges Méliès and Charlie Chaplin.

Ross also has an unhealthy obsession with theme parks, Disney, and the Criterion Collection and will defend the Lost finale until his dying day.

You can find more of Ross's work at RossBonaime.com, and you can find him on Letterboxd at letterboxd.com/rbonaime.

Latest Articles

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'Ferrari' Review: Penélope Cruz Dominates Michael Mann’s Biopic

Also starring Adam Driver and Shailene Woodley, 'Ferrari' is Michael Mann's best film since 'Collateral'.

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'A Muppet Family Christmas' Is the Best Holiday Special and a Celebration of All Things Jim Henson

This 1987 special isn't just one of the best things The Muppets ever did, it should be a modern holiday classic.

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Does ‘Aquaman and the Lost Kingdom’ Have an End-Credits Scene?

As the last film in the DCEU, does 'Aquaman and the Lost Kingdom' hint at DC's future? We have the spoiler-free answer.

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'Aquaman and the Lost Kingdom' Review: The Best and Worst of the DCEU

James Wan ends with DCEU not with a wet fart, but a reminder of what this universe did well and what it did poorly.

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Christmas Movies and TV Shows to Watch on Max Now

From beloved movie favorites to classic Christmas TV episodes, there's plenty to watch on Max for the holidays.

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The 30 Best Movies of 2023

From the romance of 'Past Lives,' to the eye-popping animation of 'Across the Spider-Verse,' here are the best films of 2023.

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'The Color Purple' Review: A Necessary Musical Update That Sacrifices Some of the Story’s Power

Blitz Bazawule's adaptation of Alice Walker's novel is an optimistic approach to the source material, but loses some of the power along the way.

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'Finestkind' Review: Jenna Ortega and Ben Foster Sink in Bland Boston Drama

Also starring Toby Wallace and Tommy Lee Jones, 'Finestkind' is a mishmash of silly ideas and miscast actors.

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'The Zone of Interest' Review: Jonathan Glazer’s Haunting, Restrained Journey into Evil

Glazer's approach to the Holocaust film is wholly unique and undeniably terrifying.

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'Barbie' Review: Greta Gerwig’s World of Plastic Is Fantastic

Starring Margot Robbie and Ryan Gosling, Greta Gerwig turns 'Barbie' into much more than just a toy commercial.

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'Wonka' Review: A Shaggy Tale With Timothée Chalamet at Its Sweet Center

From 'Paddington 2' director Paul King, 'Wonka' finds the joy and optimism of this younger take on Roald Dahl's character.

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'The Boy and the Heron' Review: Hayao Miyazaki’s Latest Isn’t His Swan Song, But It Sure Feels Like It

Miyazaki's newest film is a testament to the overwhelming creativity and ambitious storytelling that makes him one of the greatest directors ever.

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'Poor Things' Review: Emma Stone and Yorgos Lanthimos Create a Weird World in One of the Year’s Best Movies

Also starring Mark Ruffalo and Willem Dafoe, 'Poor Things' is a staggering vision from Yorgos Lanthimos.

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'Leave the World Behind' Review: Julia Roberts and Mahershala Ali Are Captivating in Sam Esmail’s Apocalypse Movie

Also starring Ethan Hawke and Myha'la, Esmail's film explores the end of the world in an insular, yet enthralling way.

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‘Insidious: The Red Door’ Ending Explained: Is the Lambert Family Finally Safe?

Does Patrick Wilson's directorial debut give the Lambert family peace after all these years?

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Every DC Extended Universe Movie Ranked from Worst to Best

Surely, this will lead to a calm and reasonable discussion.

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'Renaissance: A Film by Beyoncé' Review: Queen Bey Takes Us Behind the Scenes of Her Brilliant Concert Tour

Beyoncé's tour is obviously great, but the way she captures how this show was put together makes this film even more special.

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Winter Movie Preview: ‘The Color Purple,’ ‘Rebel Moon,’ and 35 More to Get Excited For

This winter sees new releases from Michael Mann, Hayao Miyazaki, Yorgos Lanthimos, Ava DuVernay, and many more.

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'Eileen' Review: Anne Hathaway & Thomasin McKenzie Star in Romance-Mystery That Defies Expectations

William Oldroyd's first film since 2016's 'Lady Macbeth' is an intriguing story that never quite goes where you expect.

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'Oppenheimer' Review: Christopher Nolan Delivers His Most Colossal and Mature Film Yet

Cillian Murphy is remarkable in a film that feels like what Nolan's entire career has been building towards.

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